Thanks for the hellos folks. Just to give you a quick and dirty summary:
The Print Shop was unique in that it was staffed almost exclusively by American students after QE2 went to the international crew. The staff, which back in the day went up to four Printers and one Chief was supplied by the Rochester Institute of Technology in Rochester, New York. RIT has an extremely distinguished School of Printing in it's College of Imaging Arts and Sciences. They would do three month contracts as part of their co-op requirements for graduation. Usually it would be a one off contract and there was always fresh blood flowing through the shop.
The Print Shop was (well, technically still is) located on Six Deck, aft of WTD 18 between B-Stair and Crew Stair 5. Numerous paper and chemical lockers were located fore and aft of it, with bulk paper stores in 3 Hold down on 8 Deck. Equipment wise, when I was on board, we had two printing presses, one being a Heidelberg GTO (later replaced by a Heidelberg QM-46) and a small Ryobi duplicator. The Heidelbergs were where we usually ran our high quality work (namely anything with halftones, so the Daily Programmes, Port Highlights, Advertisements, etc). The Ryobi was for Menus, Wine Lists and other text-only work. There was a small dark room from back when we made all of our printing plates with film. There were also three DTP workstations where the Daily Programme was designed as well as the menus and other internal collateral. Hidden away in the back was a small wet bar stocked with a nice selection of drinks supplied mostly by senior officers as thanks for helping them out with unusual jobs. Well, it WAS there until security raided it after an, ahem, incident.
Over the years staffing was reduced from the high of five down to two as technology optimized production techniques. Moving away from film was a gift from god as it was impossible to get people trained in the process anymore. Also, design of the Programme was eventually moved to the Programme Coordinator in the Cruise Staff office and the menus became more and more standardized over the years.
We did contribute to the death of many trees down there and kept those presses humming. But while I NEVER admitted it onboard, it was a cush job as we could always get ashore because most of our minimum daily printing was done in the evening (Newspapers, Programmes and Menus) and we would schedule all the other work for sea days. Plus we had full Public Room privileges and decommissioned pax cabins with stewards. Cabin 5041 was my home for most of that time, and a damn nice cabin IMHO.
Between my time on there and QM2, it was a great decade. We had excellent support from the Cunard management vis-a-vis our unusual staffing situation and they were very supportive in terms of making sure it was stocked with honest to god printing presses as opposed to the junk put in a lot of ships. Honestly, I think we just flew under the radar as we went from Trafalgar to Keverner to Carnival to (god have mercy) Princess. As long as we churned out the work and didn't cause too much trouble, we were taken care of. Still, we had some guardian angels who took care of us and I'm very thankful to them.
Anyway, that's it for now!